{"id":1508,"date":"2026-11-03T09:00:00","date_gmt":"2026-11-03T09:00:00","guid":{"rendered":"https:\/\/shcydigitalchildhoods.org\/dir\/?p=1508"},"modified":"2026-11-04T15:40:59","modified_gmt":"2026-11-04T15:40:59","slug":"secrets-beneath-the-glass","status":"publish","type":"post","link":"https:\/\/shcydigitalchildhoods.org\/dir\/secrets-beneath-the-glass\/","title":{"rendered":"Secrets Beneath the Glass"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">In the middle of a courtyard surrounded by grey apartment blocks, a girl looks down, and a piece of glass catches her eye. A glimmer of a smile, quickly suppressed \u2013 nobody must know she is about to make a \u201csekret\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Like many other young girls across the Soviet Union, she will make a small collage. A secluded patch of sand or soil is found, and a small hole dug to hold what former makers called \u201csomething beautiful\u201d: flowers, leaves or candy wrappers. Once complete, the collage is covered with glass and covered with soil. Making \u201csekrets\u201d was primarily a girls\u2019 pastime, centred on creating beautiful compositions from found objects. Boys also took part, though many stories end with them destroying the creations.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Similar games have been documented in Tsarist Russia since the early twentieth century. The practice became particularly popular in the 1970s across the Soviet republics. Its popularity may partly be explained by the limited availability of attractive objects for children: \u201csekrets\u201d allowed them to create something beautiful and personal from ordinary materials.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The game was especially common in cities, where expanding apartment blocks created communal courtyards and discarded glass was readily available. In Lithuania, the game was called \u201csekretas\u201d or \u201cpaslaptis\u201d (\u201csecret\u201d); in Poland, it was also known as \u201cwidoczek\u201d (\u201clittle picture\u201d) or \u201cniebko\u201d (\u201clittle sky\u201d).<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"570\" height=\"427\" src=\"https:\/\/shcydigitalchildhoods.org\/dir\/wp-content\/uploads\/2026\/10\/Sekrets-2.jpg\" alt=\"\" class=\"wp-image-1511\" srcset=\"https:\/\/shcydigitalchildhoods.org\/dir\/wp-content\/uploads\/2026\/10\/Sekrets-2.jpg 570w, https:\/\/shcydigitalchildhoods.org\/dir\/wp-content\/uploads\/2026\/10\/Sekrets-2-300x225.jpg 300w, https:\/\/shcydigitalchildhoods.org\/dir\/wp-content\/uploads\/2026\/10\/Sekrets-2-60x45.jpg 60w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><figcaption class=\"wp-element-caption\">IMAGE OF A CHILDREN\u2019S \u201cSEKRETIK\u201d (HIDDEN TREASURE UNDER GLASS), \u201cSEGODNYA \u2018DEN SEKRETIKOV\u2019\u201d [TODAY IS \u2018SEKRETIK DAY\u2019], PIKABU, POSTED BY ALEXXXSSS777, AUGUST 26, 2021. <a href=\"https:\/\/pikabu.ru\/story\/segodnya_den_sekretikov_8434018\">https:\/\/pikabu.ru\/story\/segodnya_den_sekretikov_843401<\/a>. <\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u201cSekrets\u201d have also been compared to children\u2019s burial games, in which dead insects or small animals were buried in decorated graves. A similar pattern of concealment and return appears in the Russian tradition of the \u201cburial of the cuckoo\u201d, in which girls buried or concealed a symbolic cuckoo bird and later returned to it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cSekrets\u201d can be considered alongside David Sobel\u2019s concept of children\u2019s special places. Like forts and hiding places, they existed largely outside the adult world and were often made from discarded or ordinary materials. Both transformed overlooked spaces and objects into something meaningful to children, allowing them to create a small world of their own.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In post-Soviet countries, the game was still played until around 2000. Today, however, most children no longer know how to make a \u201csekret\u201d. The environment in which children play has changed: discarded glass is less common, children are more closely supervised, and creative materials and opportunities are more abundant. Perhaps, then, the \u201csomething beautiful\u201d that children once carefully hid beneath a piece of glass has simply become too abundant to fit there anymore.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Emilija Jacevi\u010dien\u0117<\/strong> (she\/her) is a PhD student in Ethnology at Vytautas Magnus University, Lithuania. Her research focuses on children\u2019s street and courtyard games, an understudied area in Lithuanian ethnology. Drawing on historical sources and contemporary ethnographic data, she explores the continuity and transformation of children\u2019s play across rural and urban settings. More broadly, her work examines children\u2019s folklore, material culture, and the ways children create their own spaces and meanings within changing social and historical contexts.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>In the middle of a courtyard surrounded by grey apartment blocks, a girl looks down, and a piece of glass catches her eye. A glimmer of a smile, quickly suppressed \u2013 nobody must know she is about to make a \u201csekret\u201d. Like many other young girls across the Soviet Union, she will make a small collage. A secluded patch of sand or soil is found, and a small hole dug to hold what former makers called \u201csomething beautiful\u201d: flowers, leaves or candy wrappers. Once complete, the collage is covered with glass and covered with soil. Making \u201csekrets\u201d was primarily a<\/p>\n","protected":false},"author":6,"featured_media":1510,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-childish-things"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Secrets Beneath the Glass - Digital Childhoods<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/shcydigitalchildhoods.org\/dir\/secrets-beneath-the-glass\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Secrets Beneath the Glass - Digital Childhoods\" \/>\n<meta property=\"og:description\" content=\"In the middle of a courtyard surrounded by grey apartment blocks, a girl looks down, and a piece of glass catches her eye. A glimmer of a smile, quickly suppressed \u2013 nobody must know she is about to make a \u201csekret\u201d. Like many other young girls across the Soviet Union, she will make a small collage. A secluded patch of sand or soil is found, and a small hole dug to hold what former makers called \u201csomething beautiful\u201d: flowers, leaves or candy wrappers. Once complete, the collage is covered with glass and covered with soil. 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